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tonight. and we have michael lynn on the to thank for that. mike sl co-chair politics aside 2012 just like 2010 and he of course is a ran strust tee so we're delighted to have him. he'll moderate tonight. and with him and i'll ask the panel to come forward. howard gor dan and michael sheen. >> figs of all, thank you for being here this evening and thank you for being here on a friday night. i don't do this for a live sog you're going to have to fill in in the middle. let's start off shes we all know the wonderful shows and movies you've been involved with, many of which have overlapped with politics from "homeland," "the queen", so the first thing i'd like to ask -- i'd like to talk about the shows "homeland" and "the queen." where did those come from in the first place? >> "24" came from a basic idea, two writers. joel said it was an in the shower idea. i'm thinking about television and in television there are 22 or 24 episodes in a season, thinking about the number 24 and said could you do an entire series of television over the course of one day. and i was an executive at fox at the tim
the supreme court and michael grunwald, new deal: hidden story of changing the obama era along with bob woodward's, the price of politics. i want to ask, did that word were its most recent book at the attention most of his books get? >> my feeling is that it got initial attention but was crowded out by the nature of the new seiko happening so fast. in my mind through a couple of nuggets not reported before, but there was sent that many other ones that emerged after one or two comes to care for the book lost its momentum. i'm sure bob will have been equally subsisted answer on this, too. >> what are you comparing it to? it was not his most commercially successful book. so it thinks are touched on two things. one is the new seiko has so speeded up in the other fact it was the topic. it was about negotiations of the budget, the dead. that's not exactly an exciting second topic for a lot of people. i opposed to his books on maneuvering the bush white house over the war, which i think would have more interest. >> guest: one thing i wanted to bring up this trans gentle to these particular boo
the details. michael described it as it's not a palemic and i think audiences smell propaganda but if you can introduce the complexity of what they do. "24" was not about a good choice and bad choice but the better of two bad choices. if there was a formula of "24" that would have been it. and i think these people saw and president obama sees as well there is something about the presentation of the complexity of some of the things that people who are charged with these jobs have to deal with. writing it and imagining it makes me glad it's not my job just imagining how tough some of these decisions must be makes you grateful. >> the verse that we show in frost nixon "the queen" and that is how much responsibility you take with that, especially when art itself is working in metaphors. when people ask me about there is a pivot al scene in "frost nixon" which never happened. how could you show that because that is a pivotal moment in the piece. and the same with "the queen," that never happened. nixon did used to make phone calls and a part of his research would be times he was on heavy medicatio
. i have no idea why i like the show -- the think it's less about details. michael described it as it's not a palemic and i think audiences smell propaganda but if you can introduce the complexity of what they do. "24" was not about a good choice and bad choice but the better of two bad choices. if there was a formula of "24" that would have been it. and i think these people saw and president obama sees as well there is something about the presentation of the complexity of some of the things that people who are charged with these jobs have to deal with. writing it and imagining it makes me glad it's not my job just imagining how tough some of these decisions must be makes you grateful. >> the verse that we show in frost nixon "the queen" and that is how much responsibility you take with that, especially when art itself is working in metaphors. when people ask me about there is a pivot al scene in "frost nixon" which never happened. how could you show that because that is a pivotal moment in the piece. and the same with "the queen," that never happened. nixon did used to make phone cal
Search Results 0 to 3 of about 4